überarbeitet am 23.7.2010
In the late fifties, Collins developed amateur radio sets with much smaller
dimensions and a decent appearence, not everybody liked to have the huge R-390
on his desk in a small ham radio shack.
The double conversion receiver 75S-1 with only amateur band coverage appeared
in 1958, in 1959 the time was ready for a set covering the whole shortwave
range: the 51S-1 was found very successful with officals and amateur radio
enthousiasts who could afford the 2500$ - quite an amount of money on those years.
Even fifty years later, a 51S-1 in good condition will get a respectable price on
the used equipment market.
triple conversion, ZF 14,5-15,5 MHz, 3-2 MHz, 500 kHz
linear Analog dial, 1 kHz
AM, LSB, USB, CW
Sensitivity MW AM 15 uV, SSB 3 uV,
5 MHz AM < 3uV, SSB < 0,6 uV
Selectivity -6 dB
0,8 kHz; 2,4 kHz, 5 kHz
RF-Gain, Notch filter
The Collins 51S-1 with its metal cabinet painted in grey is a very
smart set; with its dimensions of 37,5 x 16,7 x 33,2 cm and its weight of
11,8 kg, the receiver is only slightly bigger then JRC's top of the range
receivers - a hollow state double conversion set in such a small cabinet
is a suprising bit of engineering.
The 51S-1 is prepared to be powered by 115 or 230V AC, the power consumption
of the 17 valves is 125W. The 51S-1A(F(=rack mount)) can be operated from 28V DC.
The different rear connectorsmake it obvious, that the 51S-1 has its roots
among the professional receivers: there are not only connectors for low and high impedance antennas
but also for an external VFO, a 500 kHz IF output, and a connector for a
long- and mediumwave converter.
The front panel gives a very basic first impression: in contrast to several
older professional receivers from Collins, the 51S-1 comes with only nine frontpanel
controls: The analog dial has an accuracy of better then 1 kHz, the MHz-digit
is moved by the MHz-bandswitch and the 0.1 MHz digit is moved by the main tuning
knob like an odometer, You hear a click when You go passed a ...99 / ...101 kHz
step. You can adjust the zero line of the main dial with the "Zero set"-knob
using the internal crystal calibrator signals or the signal of a frequency standard
or time signal after hafing tuned to zero beat.
The mains switch in the left upper corner has a "Standby" setting (in this
setting, the valves are heated and frequency stability is reached immediately after
switching the set to "On", there is also a position to activate the crystal
The RF gain and AF gain / Volume controles are situated at the left and the right
of the main tuning knob. Between this and the AF gain control, You find the modes switch
- upper and lower sideband filters can be switched independantly - and a control
called "Rejection Tune" slightly above. This activates the Crystal Filter
used to notch out unwanted signals.
The If bandwidth filters switching is coupled with reception modes: in AM reception
a LC or optional a much more expensive 6 kHz mechanical filter is in use,
for USB /LSB a 2,4 kHz or an optional 2,75 kHz mechanical filter is switched
in the circuit, for CW reception a 800 Hz crystal filter or an optional narrow
200 Hz filter.
The S-meter in the right upper corner of the front panel can be switched to display
the RF or the audio frequency level.
This is the place to watch out for the variants: earlier models up to production
year of 1967 carry the "winged Collins logo", the later production
models the "round logo"; in earlier sets, the S-meter is white, in the
later variants it's darker brown coloured.
The high frequency signal from the antenna input will first pass a bandpass filter
and the mechanically coupled automatic preselection stage. In the 0,2 - 2 MHz
ranges, the signal is internally up-converted to 28-30 MHz.
In the 2 - 7 MHz band segments, the signal will - after the first RF amplification
stage - be converted to 14,5-15,5 MHz, in the second mixer to 2 - 3 MHz and in the third
mixer to the last IF of 500 kHz - thus triple conversion operation.
In the 7 - 30 MHz segments, the signal will be directly
converted into 2 - 3 MHz in the first mixer and to 500 kHz IF in the second mixer stage
double conversion operation in these ranges.
The 500 kHz IF will have to pass the 6 kHz LC filter in AM mode, the mechanical
2,4 kHZ uSB or LSB filter in SSB mode or the 800 kHz crystal filter in CW mode.
After the Q-multiplier circuit with HF notch and two more RF amplification stages,
the signal is sent for demodulation to a diode demodulator in AM and a product
detector in SSB modes. Two more stages are used for AF amplification.
In practical use, the 51S-1 is still a superior AM and SSB receiver. It's sensitivity
is good, thanks to the mechanically coupled preselection, the receiver can be fed
from long wire antennas without unwanted signals from intermodulation. A minor drawback
is the fact, that the choice of bandwidth filters is coupled to the reception
modes, so You have to use ECSS tuning technique to make use of the excellent
2,4 kHz mechanical filter in crowded bands also for tuning in AM stations.
The mechanically tuned 51S-1 is well suited for searching signals within one
shortwave bands, for checking several parallel frequencies of one broadcaster in
different broadcast bands, retuning the receiver to all these frequencies results
in turning the main tuning knob many many times... but this "problem" You will
find an any older receiver - it took over 25 years until the first microprocessor
controlled shortwave receivers providing electronic memories were available to the
public. Using the optional external VFO gave You the possibility to switch to a second
frequency within seconds, but these optional VFOs seem to be scarce.
Compared to other professional shortwave receivers built in the same years,
operating a 51S-1 is really straightforward, the shortwave performance perfect,
the design of the receiver in the desktop really smart - many points to explain
why the prices for these sets on the used marked sre still above average.
d: Betagt, aber kein altes Eisen - Collins R-388/URR,
Oldie KW-Empfänger, Nils Schiffhauer
d: der legendäre "51
S-1", Walter Hann / Christoph Ratzer, weltweit hören 1993
e: Collins 51 S-1 - an "S"-line classic, David
Clark, fine tuning proceedings
e: the Collins 51 S-1 receiver, firstname.lastname@example.org, 1996
© Martin Boesch, 27.9.99